Welcome to moviemarbles!

We do things a little differently here than you may be used to, so here is a quick tutorial of how our Blu-ray scorecards work.

Most review sites use a 1-5 star scoring system when reviewing Blu-ray releases. Due to the amount of detail contained in a review scorecard, we had to re-think the way to display our review ratings. Gone is the standardized “star” rating structure, replaced with a simple + or -.

So how do these + and - relate to the old-school star ratings? In our world, a + would be the equivalent to a 4 or 5 rating while a - would equate to a 1, 2 or 3 rating. So if a disc gets a + rating in one of the categories, you know it is top quality.

These +’s and -’s are then weighted (35% film, 25% audio, 25% video, 15% extras) to create an overall verdict of the disc, back in the common five-star rating system... it is quite a science.

Here are the terms used in our Blu-ray scorecard so you can get a better understanding of what each of our ratings mean...

Film

  • plot (story, flow)
  • acting (dialogue/believability)
  • sound (score/soundtrack/sound mixing)
  • visuals (special effects/costumes/set design/vibrancy/cinematography)
  • entertainment value (replay value, watchability)

Audio

  • fidelity (degree of accuracy with which sound is recorded or reproduced)
  • dynamic range (difference between the max level of distortion-free signal and the minimum limit)
  • dialogue (clarity and placement of voice activity)
  • bass (LFE) (low in pitch; of the lowest pitch or range)
  • soundstage (surround activity, sound movement through the different channels)

Video

  • transfer (lack of digital artifacts/noise/edge enhancements/compression artifacts)
  • image depth (dimension, 3D feel)
  • sharpness (lack of film grain, clarity of image, image detail)
  • color levels (color accuracy, vibrancy)
  • contrast (accurate deep black levels, range of brightness between the darkest/lightest elements)

Extras

We have taken a very simplified approach to the this section by informing which extras add value to a release and which are not worth your time. We have listed the most commonly valuable extras found on Blu-ray releases - featurettes, commentaries, deleted scenes (including outtakes and alternate endings), documentaries & digital extras (digital copy, bonus view, bd-live) - and if the extra is worth watching you will see a +, if the disc does not contain the extra or it is not worth watching you will see a -.

We are really changing the game here, so this new review format may take some getting used to... but I am sure you will come to realize that this new game is the way it should be played.

Miami Blues | reviewed by: William O'Donnell | August 5, 2022
  plot acting sound visuals entertainment value
film
  fidelity dynamic range dialogue bass soundstage
audio
  transfer image depth sharpness color levels contrast
video
  featurettes commentaries deleted scenes documentaries digital extras
extras
verdict
The colours work rather well in this primarily bright film. But some shots are so grainy it resembles found Super8 footage.
genre Crime | Drama | Thriller
synopsis When Fred gets out of prison, he decides to start over in Miami, where he starts a violent one-man crime wave. He soon meets up with amiable college student Susie. Opposing Fred is Sgt Hoke Moseley, a cop who is getting a bit old for the job.
lead actors Alec Baldwin | Jennifer Jason Leigh | Fred Ward | Cecilia Pérez-Cervera | Georgie Cranford | Edward Saxon | Obba Babatundé | Charles Napier | Matt Ingersoll | Nora Dunn | Paul Gleason | José Pérez | Martine Beswick | Wendy Thorlakson | Gary Goetzman | Kenneth Utt | Buddy Joe Hooker | Julie Caitlin Brown | Nancy Duerr | Shirley Stoler | Carmen López | Brent Armitage | Jack G. Spirtos | Raphael Rey Gomez | Tony Paris | Wendy Thorlakson | William Taylor Anderson Jr. | Martine Beswick | Maureen Fitzgibbon | Steve Geng | Bobo Lewis | Tony Tracy | Roy Datz | Julie Caitlin Brown | Marc Mercury | Herb Goldstein | Vic Hunter | Gary Klar | Patrick Cherry | Lisa Bell | Edward Knott III | Joe Hess
director George Armitage