




The High Note | reviewed by: William O'Donnell | August 5, 2020
| plot | acting | sound | visuals | entertainment value | |
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| fidelity | dynamic range | dialogue | bass | soundstage | |
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| transfer | image depth | sharpness | color levels | contrast | |
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| featurettes | commentaries | deleted scenes | documentaries | digital extras | |
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The dark contrast is clean. There is no shortage of gold tones and each stays warm without troublesome fuzz.
| genre | Drama | Music |
|---|---|
| synopsis | Set in the dazzling world of the LA music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights. Maggie is Grace’s overworked personal assistant who’s stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace’s manager presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever. |
| lead actors | Dakota Johnson | Tracee Ellis Ross | Kelvin Harrison Jr. | Bill Pullman | Zoe Chao | June Diane Raphael | Eugene Cordero | Marc Evan Jackson | Eddie Izzard | Ice Cube | Jonathan Freeman | Bianca Lopez | Tiffany Elle | Diplo | Sandra Rosko | Deniz Akdeniz |
| director | Nisha Ganatra |










