









The Marsh Kings Daughter | reviewed by: William O'Donnell | January 11, 2024
plot | acting | sound | visuals | entertainment value | |
---|---|---|---|---|---|
film | ![]() | ![]() | ![]() | ![]() | ![]() |
fidelity | dynamic range | dialogue | bass | soundstage | |
audio | ![]() | ![]() | ![]() | ![]() | ![]() |
transfer | image depth | sharpness | color levels | contrast | |
video | ![]() | ![]() | ![]() | ![]() | ![]() |
featurettes | commentaries | deleted scenes | documentaries | digital extras | |
extras | ![]() | ![]() | ![]() | ![]() | ![]() |
verdict | ![]() |
![]() |
![]() |
![]() |
![]() |

A solid presentation that does the well-shot film justice.

genre | Drama | Thriller |
---|---|
synopsis | Helena, a woman living a seemingly ordinary life, hides a dark secret—her father is the infamous 'Marsh King', the man who kept her and her mother captive in the wilderness for years. After a lifetime of trying to escape her past, Helena is forced to face her demons when her father unexpectedly escapes from prison. |
lead actors | Daisy Ridley | Ben Mendelsohn | Garrett Hedlund | Caren Pistorius | Brooklynn Prince | Joey Carson | Yanna McIntosh | Gil Birmingham | Joshua Peace | Pamela MacDonald | Dan Abramovici | Sophia Walker | Ash Catherwood | Toby Proctor | Blair Johannes | Cotton Mather | Lee Villeneuve | Thomas Kane |
director | Neil Burger |