

The Sweet Hereafter | reviewed by: Scott McKay | July 23, 2012
plot | acting | sound | visuals | entertainment value | |
---|---|---|---|---|---|
film | ![]() | ![]() | ![]() | ![]() | ![]() |
fidelity | dynamic range | dialogue | bass | soundstage | |
audio | ![]() | ![]() | ![]() | ![]() | ![]() |
transfer | image depth | sharpness | color levels | contrast | |
video | ![]() | ![]() | ![]() | ![]() | ![]() |
featurettes | commentaries | deleted scenes | documentaries | digital extras | |
extras | ![]() | ![]() | ![]() | ![]() | ![]() |
verdict | ![]() |
![]() |
![]() |
![]() |
![]() |

The Sweet Hereafter gets an average catalog release; the technical specs aren't up to par and the single bonus feature doesn't help. #rentit

genre | Drama |
---|---|
synopsis | Director Atom Egoyan's haunting adaptation of Russell Banks's novel follows a grieving mountain community in the wake of a tragic school bus accident that takes the lives of numerous local children. An ambulance-chasing lawyer arrives in town to persuade the survivors to initiate a class-action lawsuit, driving apart the once tight-knit hamlet. Meanwhile, a teen crippled in the crash must choose between mourning and moving on. Winner of the Grand Jury award at the 1997 Cannes Film Festival. Academy Award nominations: Best Director, Best Adapted Screenplay. |
lead actors | Ian Holm | Caerthan Banks | Sarah Polley | Tom McCamus | Gabrielle Rose | Alberta Watson | Maury Chaykin | Stephanie Morgenstern |
director | Atom Egoyan |